I Can Barely Stand To

I Can Barely Stand To

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today at the Louvre I took students
to see Venus de Milo
with her pert exquisite breasts
& read them Emma Lazarus’
poem to grief-struck Heinrich Heine
we talked ekphrastic this & that
but it was a marriage of convenience
for me Emma Heinrich & Venus

later I dragged my sons to L’Orangerie
to see how Monet at Giverny
painted his way through World War I
I imagined my father’s father
(circa 1934) feather in hat & my father’s
mother small & prim almost
hear them whispering in Yiddish
my grandmother understanding
the paintings my grandfather trying to

Up close they make no sense
my son said pointing to the paintings

my grandparents died half my lifetime
ago & the missing—

knife? corset? sting?

what metaphor suffices?

I would make myself into
a lapis lazuli that could be
pressed
into the trees water lily pads sky
but désoléé cannot

now at le Jardin a child sobs his way
around the carousel & another cries
because he is too young to ride
my youngest son shouts nonsense
in a French accent at children who pay him
no attention the mothers in their jolis hats
laugh & touch each other on the elbows
while the operator in the smoke-filled booth
cares only that the tickets are in order
I watch the ride go on & on
knowing it will stop

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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