Apples

Apples

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The townspeople paste wax apples on the trees,
glow shyly out their windows as the Dictator
struts past the monument of his father strutting
past nothing at all. Yesterday, the Dictator dressed
the Butcher’s boy in the uniform of his own son.
Today, at the orders of the Dictator, guards shot the boy.

In the town of his childhood, the Curator is a tourist.
He touches his mother with the language
with which he does not touch his work.
In the painting, bored bored Eve chomps on an apple.
In the tongue of his work, he acquires her.

At the banquet: pigs choked with apples,
music wrung from the townspeople’s anguish.
The meat in the soup is human meat.
The Dictator’s ring is made of gold
yanked from the teeth of corpses.

The Censor bloats with what he knows.
His sons bloom in neat rows.
An orchard grows inside his wife.
He prunes her on Sundays.

Under the earth, the Butcher’s boy, laughing,
eats an apple. The core rises, light with rot.
The Dictator admires the fruit of his land.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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