The Sentence

The Sentence

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In the gospel according to children
Love is a sentence containing a logic no syntax can trace—
Mom throwing parties just to ruin them,
Dad blaming everyone but himself.
You remember it, don’t you—

Riding your bike past the city’s edge
Into marshlands you thought were protected.
Deep in the grass a box labeled PLOT.
From that point on did you want them to acknowledge you

Or leave you alone with your paper boats
Inspired by birds so tired of performing—

                                        •

Wind buffets the mylar balloon trapped
In the neighbor’s red maple.

Am I closer to the sentence than I am to Kisha?

My daughter asks why elk pee on themselves.
They found a logic, I say. Like Nero,
My son says. To light his parties
He burned his own people as lanterns.

                                        •

My daughter dreamed I used the vacuum hose
To suck the sentence from my eye.

In my notebook I write: the female figure
My father sculpted props up
A succulent too large for its pot.
Daddy, my daughter says,
When are you going to stop?

                                        •

She’s building a spaceship large enough to carry her
And her toy horse to a planet
Immune to the sentence. My son warns
Of nebula. What’s that, she says.

From earth it looks like a bright patch in the night sky.

But what’s it look like from space?

My son turns away. My daughter closes the hatch
Over the horse’s head. Stay safe, she says.

                                        •

Take a sentence of a dozen words. Take
Twelve men and tell to each
One word. Stand the men in a row…

Let each think of their word
As intently as they will; nowhere will there be
A consciousness of the whole sentence.

                                        •

My daughter and I eat lunch at the kitchen table.
My son reads in his room, Kisha is on campus.
The semester has just ended—not even
The radio is playing.

How do you hold mom’s hand? my daughter says.
Like this? Our fingers interlace.

Or like this—

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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