Rimbaud’s Beach
Rimbaud’s Beach is only a mile from the “Elephant Trunk”
where dolphins leap up laughing and Russian women twirl,
where Goldmore Road stretches, and beer like water flows,
where sailors drown among the nymphs.
I was there secretly, observing a blind lighthouse,
watched how the seaweed swayed with the waves.
Aden held a star on her forehead, strove to lift
a bolder off of the oppressed Arabs’ chests.
Is Rimbaud’s Beach still there stretched long
and shimmering in the red setting sun,
like a lighthouse flaunting its light, free, unmatched?
Are there any women swimming in the tranquil sea?
Aden is now gone, and we are finished too.
Let’s ask: What were we then, and who?
(Translated from the Arabic by Khaled Mattawa)
We cannot back down
We now confront a second Trump presidency.
There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.
Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.
Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.
The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”
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Onwards,
Katrina vanden Heuvel
Editorial Director and Publisher, The Nation