The Making of Donald Trump
On this episode of The Time of Monsters, David Klion on the new Trump biopic, The Apprentice.
Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
On this episode of The Time of Monsters, Jeet Heer is joined by David Klion to discuss 'The Apprentice' — a movie about Roy Cohn’s mentoring of a future president.
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
Donald Trump is such a clearly defined figure—a walking, talking political cartoon—that it’s hard to imagine when he was someone different. Ali Abbasi’s new film, The Apprentice, gives us a Trump we’re not used to seeing, a young man who was unsure of himself and found his path thanks to the mentoring of Roy Cohn, the notoriously crooked lawyer and political fixer. David Klion, a frequent guest of the podcast, reviewed the movie for The Nation. While David liked the movie more than I did, we both agreed it is well worth watching, with superb performances and a vivid evocation of the New York of the 1970s and ’80s. In our talk, we discuss what the movie says about Trump’s origins and also the Trump fatigue that has hurt the film at the box-office.
Here's where to find podcasts from The Nation. Political talk without the boring parts, featuring the writers, activists and artists who shape the news, from a progressive perspective.
On this episode of The Time of Monsters, Jeet Heer is joined by Matt Duss to discuss Trump's anti-war pitch.
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
Subscribe to The Nation to Support all of our podcasts
We cannot back down
We now confront a second Trump presidency.
There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.
Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.
Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.
The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”
I urge you to stand with The Nation and donate today.
Onwards,
Katrina vanden Heuvel
Editorial Director and Publisher, The Nation