In Fact…

In Fact…

AZNAR’S PAST

Facebook
Twitter
Email
Flipboard
Pocket

AZNAR’S PAST

**Vicente Navarro writes: The Bush Administration is behind a bill currently in the House Committee on Financial Services to award a Congressional Gold Medal to Spanish Prime Minister José María Aznar, in gratitude for being “a staunch and steadfast ally” (i.e., supporting the Iraq war against the wishes of 90 percent of his people). He is known in America as a conservative; actually, his political roots are fascist. As a teenager he was a Falangist. His father and grandfather played prominent roles in the Franco regime. Aznar denounced the town of Guernica for renaming General Franco Square as Liberty Square after the dictator’s death. Spain’s Supreme Court, appointed by Aznar’s government, refuses to expunge the criminal convictions of executed opponents of the Franco dictatorship. Aznar defied the instructions of a UN Human Rights agency to find the bodies of the more than 30,000 people who disappeared under Franco. He is president of the Popular Party, founded by Manuel Fraga Iribarne, Information Minister under Franco. Fraga recently wrote a prologue to a book denying the Holocaust. He was Aznar’s mentor and anointed him as his successor. To award Aznar Congress’s highest honor would insult the soldiers who died during World War II in the fight against fascism.

HAL LEVENTHAL HOOTENANNY

**Gene Santoro writes: On November 29 a tribute to Harold Leventhal will be presented at Carnegie Hall by Arlo Guthrie, featuring Guthrie, the Weavers, Peter, Paul & Mary, and Theodore Bikel; the proceeds benefit the Woody Guthrie Foundation and Archives, which Leventhal helped form. During his sixty-five-year music-biz career, Leventhal pushed the postwar folk boom and broadened the audience for its dissident ideas. Born in Ellenville, New York, in 1919, Leventhal became a high school political activist. During World War II he served in the Signal Corps in India, where he befriended Gandhi and Nehru. In polarized postwar America, Leventhal saw Lead Belly, Woody Guthrie, Pete Seeger and Josh White as the populist voices of progressive ideals and organized rallies and concerts featuring them. From 1950 he managed the Weavers, and during the Red Scare became the folkie left’s commercial strategist, piloting blacklisted musicians through McCarthyism. In 1955 he reunited the Weavers, launching the folk-revival wave that washed into the 1960s. He produced plays and movies, including Wasn’t That a Time, Alice’s Restaurant and Bound for Glory. And he helped The Nation stage several events, including a memorable one at the Village Gate for the last Democratic convention in New York (ticket information: 212-247-7800; www.woodyguthrie. org).

DANTO HONORED

**A book by Arthur C. Danto, The Nation‘s art critic, has received an important award in France. The Madonna of the Future, a collection of essays, most of which appeared in this magazine, won the Prix Philosophie. The winner is chosen by
a jury representing high cultural institutions in France.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x