Edward Hopper: August in the City, 1945

Edward Hopper: August in the City, 1945

Edward Hopper: August in the City, 1945

You’ve got to learn how to dance and speak lots of languages and pull ideas out of your hat.

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You’ve got to learn how to dance and speak lots of languages and pull ideas out of your hat. You’ve got to have a way of conducting yourself that’s nonconformist and nuts. You’ve got to radicalize the programs over the years. You’ve got to want two kids. You’ve got to pass the world through the sieve of a clear vision or, when the chips are down, be an optimist. Got to laugh at yourself as well as the other guy. You’ve got to arrive on time anyoldwhere. You’ve got to concentrate on the aim with a prime-time audience in mind. You’ve got to stay put in spots where the sun blazes and expose yourself to a blast of hot air and a heavy, unbreathable stench of asphalt, sticky pollution and grease, until your skin and bones are steeped in the heat that sears the deserted streets and glues your summer clothes to your body. After months of draining work, you’ve got to take that vacation. Presto.

(translated from the Catalan by Lawrence Venuti)

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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