Nation Note

Nation Note

Welcoming Peter Gizzi, The Nation‘s new poetry editor.

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We are happy to announce that with this issue, Peter Gizzi becomes our new poetry editor. Peter is the author of The Outernationale (2007), Some Values of Landscape and Weather (2003), Artificial Heart (1998) and Periplum (1992). His poetry has been widely anthologized and translated; his honors include the Lavan Younger Poet Award from the Academy of American Poets and fellowships from the Howard Foundation, the Foundation for Contemporary Arts and the John Simon Guggenheim Memorial Foundation. Peter’s work as an editor includes o•blēk: a journal of language arts (1987-1993), the Exact Change Yearbook (1995) and The House That Jack Built: The Collected Lectures of Jack Spicer (1998).

As a poet and an editor, Peter practices the art of the mix, gathering voices that overlap, intersect, blend, diverge, disperse and rhyme. In o•blēk and the Exact Change Yearbook he brought together poems by the dead and the living, elders and upstarts, the overlooked and misunderstood, the classic and the ephemeral. Given his commitment to the art, his deep understanding of poetic tradition and its capacity to shape the consciousness of the present, his total work could be described as a form of literary activism. As Robert Creeley said of Peter, “Few people I’ve known have managed such an intensity so usefully directed.” We couldn’t agree more. Welcome, Peter.

We’d like to note that we are reviving the Nation tradition of the poetry editorship being a rotating position. As always, poets should follow the submission guidelines on our website.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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