Prince Wins

Prince Wins

Best performance on American Idol‘s finale: Prince–preening, prancing and dancing.

Most astounding fact: 63.4 million votes were cast for the two finalists. Show host Ryan Seacrest boasted this was “more than any president in the history of our country has received. ”

One blogger semi-facetiously suggested that maybe we should just cast votes in the next Presidential election via cell phone and text messaging. (And what, have the NSA do the vote count?) Idol’s “elections” are already the focus of charges of fraud and voting manipulation. (In 2004, after millions of potential voters weren’t able to register their choices in the final round when regional phone systems were swamped by the number of calls, Broadcasting & Cable magazine called the Idol voting system “about as reliable as Florida’s in the 2000 Presidential election.”)

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Best performance on American Idol‘s finale: Prince–preening, prancing and dancing.

Most astounding fact: 63.4 million votes were cast for the two finalists. Show host Ryan Seacrest boasted this was “more than any president in the history of our country has received. ”

One blogger semi-facetiously suggested that maybe we should just cast votes in the next Presidential election via cell phone and text messaging. (And what, have the NSA do the vote count?) Idol’s “elections” are already the focus of charges of fraud and voting manipulation. (In 2004, after millions of potential voters weren’t able to register their choices in the final round when regional phone systems were swamped by the number of calls, Broadcasting & Cable magazine called the Idol voting system “about as reliable as Florida’s in the 2000 Presidential election.”)

This year–with suspicion more muted–Alabama’s very own Taylor Hicks won. (Thereby confirming Judge Simon Cowell’s prediction and ensuring that Cowell will become even more delightfully insufferable next year. ) Hicks–who the Washington Post‘s Lisa de Moraes likens to Captain Kangaroo–fervently thanked his “Soul Patrol” supporters who rooted for him. His victory, which kept up the South’s winning streak on the show, has already inspired a wave of blogs like the one I read last night, ” Aladamnabama has all the kick ass people in it. This just helps prove it.”

Just what we need. Pop/rock culture Southern triumphalism.

Last night it was worth sitting through a cheesy celebration of high powered karaoke and corporate plugs to watch the grand talent assembled on stage to sing along with the Idols–Mary J. Blige. Toni Braxton. Al Jarreau. Live. Meatloaf. Burt Bacharach. Dionne Warwick. And, of course, Prince was in the building.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

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Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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