Activism / Obituary / July 9, 2024

From the Moment She Joined a Fight, Jane McAlevey Was in It to Win

A bitter foe of “pretend politics,” she always said she wanted “to teach people: Can we have the confidence to win?”

D.D. Guttenplan
Jane McAlevey and her horse, Jalapeno.
Jane McAlevey and her horse, Jalapeno.

This time, it’s personal.

Like everyone else with more than a passing interest in American unions, I had been reading Jane McAlevey’s work for years. My copy of Raising Expectations (and Raising Hell), a no-holds-barred account of her adventures in successfully reviving a moribund local of the Service Employees International Union—only to run aground on the SEIU leadership’s cozy relationship with corporate bosses—was beginning to physically fall apart when I first wrote to Jane (or “Dr. McAlevey,” as I addressed her, since she had a Harvard e-mail at the time) in the fall of 2015.

I was heading to Nevada to report on the upcoming Democratic primary campaign, and since she’d spent time there as an organizer, I wondered if she could suggest some union people for me to talk to. After a thorough grilling on my background, intentions, and political orientation, Jane sent me a brief but incredibly useful memo on Nevada union politics and introductions to a nurse and a Las Vegas municipal worker who both turned out to be terrific company—and even better sources.

When I wrote afterward to thank her, she asked about my relationship to The Nation, where I was then listed on the masthead as “Editor at Large.” It turned out she was having trouble getting her pieces into the magazine.

“Despite what it says, I don’t actually edit,” I replied. But I promised to look into the situation, and when I did was told that Jane was “difficult.” “I’ll work with her,” I said.

And so we began, first with a long interview about her forthcoming book, No Shortcuts: Organizing for Power in the New Gilded Age. Then with coverage of a Massachusetts nurses strike, and the wave of “Red for Edteachers’ strikes. By that time, Donald Trump was in the White House, and militant unions offered what looked like the only durable organized resistance to Republican rule.

When Katrina vanden Heuvel asked me to take over as editor of The Nation, Jane was the first writer I called. We met in a bar in Penn Station near the LIRR tracks as I was on my way into the city for the Nation announcement and she was on her way to JFK to fly back to California. I asked if she’d write a column for us. “How about ‘strikes correspondent’?” she countered. “Don’t you think a lefty magazine should have one?”

By then we’d already met a few times—first in London, where I was living and she was doing some consulting work for one of the big unions, then in Vermont, where Jane had learned organic farming as a young woman. I recorded a long interview with her there where she talked about her mother dying before she ever really got to know her, and about feeling like a prop in her father’s political campaigns (but also how much she’d learned from “the old man”—above all, the notion that when you enter a fight you’re in it to win: “Winning matters a lot to me…. My father’s attitude was that you don’t run a left campaign against the Democratic Party just to run it. You fuckin’ run it to win”), and about her own struggles with the cancer that had already taken a brother and a sister. And then in San Francisco, where my daughter and I stayed in the house next to Jane’s tiny shack on Muir Beach while I was on tour to promote The Next Republic, a book whose first chapter is titled “Jane McAlevey—Winning Under Conditions of Extreme Adversity.”

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Jane took us to feed carrots to Jalapeno, her beloved horse, cooked amazing meals in her outdoor kitchen, and sent us off to see the redwoods so she could get some work done.

Was she difficult? She certainly could be. I’ll never forget the shouting match we had the day after the vote in 2020. I was on a street corner in downtown Reading, Pennsylvania, at a rally organized by Pennsylvania Stands Up, when Jane called to tell me The Nation had to “get your people out on the streets now!” to stop the Republicans from stealing the election. She’d been in Miami in 2000, she reminded me, when the “Brooks Brothers riot” halted the count in Dade County, opening the door for Bush v. Gore and so many of our current troubles. As I tried to remind her that we were a magazine, not a mass membership organization, the shouting grew louder and louder, and when I noted that we didn’t exactly have “people” we could just send out into the streets, she hung up on me.

But we soon patched that up—as we patched up all our battles, whether over a “really fucking stupid” headline I’d written that “totally ruined” one of her pieces, or running a photo that (in her view) undercut her analysis, or her habit of filing at the very last minute—and then sending in endless revisions. She was a perfectionist, in life as well as writing, and expected others to rise to her standards.

But I always knew she had my back. As I had hers, especially after her masterful postmortem on Amazon’s failed campaign in Bessemer, Alabama—a piece she’d written weeks in advance, but insisted on holding until after the vote lest she discourage a single pro-union sympathizer. Jane’s refusal to sugarcoat reality, to indulge in wishful thinking, made her a lot of enemies, especially among the ranks of labor’s faithful cheerleaders. But she always felt that they—along with the sectarians whose hard work and persistence she respected, but whose vanguardist arrogance and deeply antidemocratic politics were the bane of her existence—were good enemies to have.

Because despite her long blond hair (until it, too, got sacrificed to chemo)—and encyclopedic knowledge of her beloved Raiders—Jane McAlevey was nobody’s cheerleader. She was a clutch player: a tireless, brave, and inspiring organizer; charismatic teacher; gifted writer; brilliant strategist; and wise and loving sister, aunt, and friend.

But perhaps the last word should go to my daughter, at the time still an undergraduate, who turned to me as we were both struggling to match Jane’s pace on a steamy evening hike up Mt. Tamalpais (not far from where she died on Sunday) and said, “She really is such a badass!”

That she was. If there’s a heaven, the bosses better look out. Rest in Power, Jane.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

D.D. Guttenplan

D.D. Guttenplan is editor of The Nation.

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