Alan Lomax: A Life of Sound

Alan Lomax: A Life of Sound

During the early twentieth century, Alan Lomax and his father John traveled throughout the American South searching for the work songs, spirituals and folk tales that gave the region it’s unique identity.

Facebook
Twitter
Email
Flipboard
Pocket

During the 1930s and ’40s, Alan Lomax and his father John Lomax traveled throughout the American South searching for the work songs, spirituals and folk tales that gave the region it’s unique identity. They met with field hands, prisoners and former slaves, and heard the songs they had been singing for decades, unaware of the sudden craze for jazz and blues music. The rich archive of American music the Lomaxes recorded ultimately set the standard for folk authenticity that invigorated the folk revival of the 1960s. 

In this musical montage of images taken on Alan Lomax’s journeys through the South, we see the fading traditions of the region that Lomax sought to capture. For more on Lomax, read David Yaffe’s article, This Is a Recording, in this week’s issue of The Nation.

Video produced by Frank Reynolds, with images and songs courtesy of the Lomax Collection at the Library of Congress.

Anna Lekas Miller

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x