Black Sun

Black Sun

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Inferno happened when Dante explained to us how
he functions sexually.
Before then, it did not exist.
And Petrarch.
Who like a green dog on four wet, dark-green legs
sniffs Vaucluse and touches his clothes.
He thinks about the books his father
burnt, not about Laura.
It has to do with the race.
Who is faster.
God with his sand or we with our tongue.
Sand is the tongue of fire.
Tongue is the fire of sand.
Fire is the sand of God.
I’m falling.
I fall like an oak doomed to die, and also
women want to be more than metaphor.
With their moist, round, soft skin, with their
drunken scent of warm mushrooms they drive me insane.
Walls of hell, why do you stagger.
I miss the smell of burnt flesh.
Nature makes me tired.
It tires me so terribly that I sink in a cave.
Stars move apart.
I am the Sun.
With no air.
Fake fire falls upon the children’s black hair,
advancing into their hearts so they burst like buckles.
Their mouths yawn open as if they were mummies.
They rave in benediction, they gargle my
name as I get dressed.
When I adjust my collar in front of him–the mirror–
everything is already late.

(Translated from the Slovenian by Peter Richards and Ana Jelnikar)

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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