Blue Wash on Linen Canvas, Believed Unfinished

Blue Wash on Linen Canvas, Believed Unfinished

Blue Wash on Linen Canvas, Believed Unfinished

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And he woke again like a thief undetected, invisible therefore,
and therefore free. The bronze horse’s hoof stood raised for
apparently ever about to trample beneath it the cross of wood
faced with tin half beaten half
tooled to a filigree that said, or
seemed to say, that’s what it takes, a violence, to get at last
even this far, mere decoration, nothing close, for example,
to those late afternoons of the sun parsing the dead bamboo
like fidelity itself when fidelity means for once what it’s
always meant—one thing,
and the truth another—no,
I’d say it more was like seeing for the first time from sea
that bit of the land that you’ve always lived on, and watching it
slowly become more small, until maybe you lived there,
or didn’t, here’s the sea
anyway in front of you, here’s the rest,
(the waves whispering, as if waves could whisper), here’s
what happens, not what’s meant to happen; nothing’s meant to happen…

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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