Bringing the War Home

Bringing the War Home

Pointing imaginary guns and roughing up “Iraqi civilians”, antiwar veterans brought the realities of the Iraq debacle to Manhattan, in a Memorial Day protest that turned Times Square into a combat zone.

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Pointing imaginary guns and roughing up “Iraqi civilians”, a group of
antiwar veterans brought the realities of the Iraq debacle to Manhattan,
in a Memorial Day protest that briefly turned the streets of the city
into a combat zone. In “Operation First Casualty,” a
half-dozen members of Iraq Veterans
Against the War
employed the tactics of street theater to stage
mini-dramas in Times Square, Union Square and the World Trade Center
site, simulating sniper fire and staging mock arrests of fellow
protesters who portrayed Iraqis. The group plans to take Operation First
Casualty to the streets of Chicago June 17.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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