Buffalo Bill

Buffalo Bill

He was to the British what Jerry Lewis is to the French–much to the amusement of The Nation.

Facebook
Twitter
Email
Flipboard
Pocket

He was to the British what Jerry Lewis is to the French–much to the amusement of The Nation.

New York

Nothing can well be odder than the attention paid in England to “Buffalo Bill,” or, as he is there known, “Colonel the Hon. William F. Cody.” He is literally the great lion of the season in London. He is an honored guest at the fashionable parties, invited out to dinner everywhere, and passes a good deal of his time in the company of royal personages. In fact, he has had a far more flattering reception than any foreigner without official rank or antecedents to help him. Garibaldi was much less favorably received; although be was, when he went to England, one of the most famous and romantic heroes of the day. Cody’s social success, like that of Fred Archer the jockey, marks the enormous space which pure amusement now occupies in the life of the well-to-do classes in England. The number of people who follow amusement as a business has probably increased tenfold during the last forty years, and the place of people who furnish amusement has been correspondingly exalted. Americans of any grade or species who can do this are especially successful in London society. Their stories, their jokes, their songs, their new card tricks, their skill in poker and euchre, sometimes supply the place, in giving them social consideration, of nearly everything else which makes a human being respectable. We by no means wish to underrate Buffalo Bill’s character or capacity in his line, but it seems very odd to see the highest circles of a civilized nation paying to the proprietor of an equestrian show all the honor it could bestow, and far more than the honor it would bestow, on a great author, or inventor, or statesman. A large number of those who are fêting Buffalo Bill are, in fact, taking pains to inflict slights and insults on Mr. Gladstone whenever they get an opportunity.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x