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Captivity

Ange Mlinko

August 25, 2016

If it’s Yuletide in the New World, then what bellies up to the manger are rattler, gator, buzzard. Just as a wooden snake in a basket of toys at this barber shop I bring the boys seems to hiss “…es su casa,” I take the part of the friendly stranger only where hair is imperiled.

Festive lights are strung up, arranged around amusing headlines on the wall: rosenbergs die (scissors flashing); bin laden killed (clippers gnashing) and that’s not all (no, that’s not all…) man in tx jail cell found hanged.

*

Horsemen of upcountry limestone, Quahadis rode through sumac that tore at the clothes and the flesh, hunters to the bone. Never touched a hair on the head of their own or adopted child, fed on half-digested sweet milk fresh from a bison calf’s slit stomach.

They didn’t make laws, weren’t a nation. They had, all told, a common tongue. They snuffed out Rachel Plummer’s infant (nursing was lost time); in that instant she turned savage on her captors, won unwittingly their admiration.

*

Corpses frightened Mary Rowlandson. Yet “I must and could ly down,” she’d write, “by my dead Babe, side by side all the night,” in the wigwam, weekuwom, wiquoam which the child departed “like a lamb.” Though one bullet stitched both, yes, she “left that Child in the Wilderness… and myself in this Wilderness-condition.”

Sold for gunpowder under the cones and needles of New England tinder; ate an unborn fawn: “so tender, that one might eat the bones as well as the flesh.” Gentleness (I know) is learned. And unlearned also.

*

Now the lines of his skull appear, the hair fallen on the floor (grown for the better part —a thousand pardons—of a year and as leonine as a roar; a first attempt at body art, a shine like a bubinga drum shell, or the Earth Ride cymbal

now offered up as casually as that head from Monkey Slough mounted over the W.C.). And as if it wasn’t enough, the aeolian origins of loess, the ground a leonine mess.

*

It’s Yuletide in the New World, and the metallurgical fur of tinsel warms the atmosphere; the Crèche with its inlaid Pearl canceling the blood on the lintel, against long odds, will appear as long as mothers house golden apples in pine boughs.

And as if it wasn’t enough, the basket of toys yields a tortoise that crawls away on its cutlery much like the roughest of rough drafts of our own migrant house, sheetrock bunker plus scullery.

*

And as if it wasn’t enough, hair fallen from the clipper’s tines might have been as rough as the heaps left behind of a herd, shorn. Or a horde, advertising his assent to the life of the horse and sword, and to go wherever they went.

Buzz Cut 10, Bald Fade 16. Fluffs the nape, dabs with the shaver, underplays it as a “trim.” It’s as if—the works of time undone— the mirror, held up to him, shows his moonface smaller, graver.

Ange MlinkoAnge Mlinko is poetry editor of The Nation and the author of Marvelous Things Overheard (FSG). She is the recipient of a Guggenheim Fellowship and the Randall Jarrell Award for criticism, and teaches poetry at the University of Florida.


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