David Levine

David Levine

David Levine, who died on December 29 at 83, was best known for his brilliant, biting, crosshatched caricatures of literary and political figures, which until his vision gave out had appeared reg

Facebook
Twitter
Email
Flipboard
Pocket

David Levine, who died on December 29 at 83, was best known for his brilliant, biting, crosshatched caricatures of literary and political figures, which until his vision gave out had appeared regularly in The New York Review of Books ever since it was launched in the early 1960s. Once, when The New York Review turned down as “too strong” (David’s words) a caricature he had committed of Henry Kissinger, he paid us the compliment of offering it to The Nation. Although it caused controversy within the Nation office–it showed Kissinger on top and the world, depicted as a woman, being violated by him under an American flag blanket–luckily for us we ran it, and subsequently it found its way into art exhibitions around the country and ended up on the cover of a Harvard art catalog. When The Nation ran a story about neo-Nazis in the United States, Levine’s cover illustration showed Uncle Sam with Der Führer’s mustache. Despite his sometimes savage visual commentary, David was a kind man and a constant source of support to his fellow artists. He was also a great teacher, funny, a bemused observer of the passing scene, deeply subversive and an astonishingly talented Realist painter whose renderings of Coney Island and warm and sympathetic portrayals of the workers in his father’s garment shop were a striking counterpoint to his world-famous political illustrations. His son Matthew has set up a memorial blog in David’s honor, which he calls D. Levine Dot Commie.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x