Destination Wedding

Destination Wedding

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Drunk as a persimmon

on the wine of Cana or myself, I couldn’t tell—

the old pain and the old dream mingled

and seasickness threw kisses

in shapes upon the wall like shells 

upon the shore outside the conch-

shaped hall in whose pearled hum I danced 

as if my feet were small 

and free of gravity as sea lice.

When above the palms, horns, drums and silks

I heard a creature high in moss-

tangled eucalyptus cry for milk—

a creature not my own, yet still 

my milk let down.

I looked up and it locked me

in a stare, half-child, half-marsupial,

that transfixed me on the scallop

of the terraced white hotel it squatted on 

until sure that I had seen

it dove back into the lagoon 

like a weasel chasing an eel 

ever further into the nature of oblivion.

We cannot back down

We now confront a second Trump presidency.

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Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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