Dispatch from War-Torn Baltimore

Dispatch from War-Torn Baltimore

I live in Baltimore, Maryland.

At the moment, that is slightly more dangerous than being an American soldier in Afghanistan.

In Afganhistan, just over eighty US soldiers have been killed so far this year. In Baltimore, we’re up to 215 murders in 2007.

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I live in Baltimore, Maryland.

At the moment, that is slightly more dangerous than being an American soldier in Afghanistan.

In Afganhistan, just over eighty US soldiers have been killed so far this year. In Baltimore, we’re up to 215 murders in 2007.

Mostly though, no one pays it any mind. No mucky-muck politicians from nearby Washington, DC (45 minutes away) don flak jackets for well-publicized tours of our dangerous streets. No presidential candidates bemoan the casualties in emotional speeches. No national experts are dispatched with a hue and cry of horror at the crisis to assess its origins and offer solutions. We don’t even get a fancy name for the wars waged on our streets, like "Operation Enduring Freedom."

Why is that?

Oh, yeah! That’s because it’s mostly just black kids killing each other here.

Even locally the complacency here is astounding. Are city pols marshaling everything they’ve got behind efforts to end the violence? Are citizens of Baltimore demanding new leadership to tackle this problem from all angles?

Apparently not. This week our sitting democratic mayor and city council president both won the primaries–and in a town that is 80 percent registered Democrats and hasn’t elected a Republican mayor since 1963 that’s tantamount to victory. A mere 28 percent of eligible voters showed up at the polls.

Given the crisis in Baltimore’s schools (where only 34 percent of students graduate) and the casualties in our streets–both massively complex problems that Baltimore shares with a slew of aging rust-belt cities across the country, including Detroit whose higher murder rate bumps us down to second in the nation–it was somewhat disheartening to discover today that the first order of business for Baltimore’s victorious candidates was to vote in a handsome tax break for a new Legg Mason building.

But hey, that’s business-as-usual in B’more, where marginally competent local pols will continue bumbling along in their feeble efforts to stanch the bloodshed in our apparently covert campaign, Operation Enduring Violence.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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