The Enemy

The Enemy

The buildings’ wounds are what I can’t forget;
though nothing could absorb my sense of loss,
I stared into their blackness, what was not

supposed to be there, billowing of soot
and ragged maw of splintered steel, glass.
The buildings’ wounds are what I can’t forget,

the people dropping past them, fleeting spots
approaching death as if concerned with grace.
I stared into the blackness, what was not

inhuman, since by men’s hands they were wrought;
reflected on the TV’s screen, my face
upon the building’s wounds. I can’t forget

this rage, I don’t know what to do with it–
it’s in my nightmares, towers, plumes of dust,
a staring in the blackness. What was not

conceivable is now our every thought:
We fear the enemy is all of us.
The buildings’ wounds are what I can’t forget.
I stared into their blackness, what was not.

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The buildings’ wounds are what I can’t forget;
though nothing could absorb my sense of loss,
I stared into their blackness, what was not

supposed to be there, billowing of soot
and ragged maw of splintered steel, glass.
The buildings’ wounds are what I can’t forget,

the people dropping past them, fleeting spots
approaching death as if concerned with grace.
I stared into the blackness, what was not

inhuman, since by men’s hands they were wrought;
reflected on the TV’s screen, my face
upon the building’s wounds. I can’t forget

this rage, I don’t know what to do with it–
it’s in my nightmares, towers, plumes of dust,
a staring in the blackness. What was not

conceivable is now our every thought:
We fear the enemy is all of us.
The buildings’ wounds are what I can’t forget.
I stared into their blackness, what was not.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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