The Etymological Taboo

The Etymological Taboo

Some reflections on word genealogy

Facebook
Twitter
Email
Flipboard
Pocket

[First, three links:

• The current puzzle
• Our puzzle-solving guidelines
• A Nation puzzle–solver’s blog where you can ask for and offer hints, and where every one of our clues is explained in detail.]

You would probably not be surprised to learn that we spend a fair amount of time trolling the dictionary. We love the way the dictionary can remind us about secondary meanings of common words, and it’s helpful in figuring out a fair definition for an entry or an entry fragment. And the etymology of a word is always interesting to know about.

But even we have limits. In an earlier post, we mentioned that many US cryptic constructors, as well as some solvers, insist that definition and wordplay should be based on totally distinct etymologies—some would even go so far as to call this a rule. It’s a principle that applies in double definitions, when breaking up long entries into chunks (as in charades or container clues), and in finding a definition that is sufficiently distinct from the word it’s defining.

We generally respect this US convention, as it is based on a reasonable observation: Clueing REASONABLE as REASON + ABLE, or as “Moderate having sound judgment,” is boring. The meanings are just too close for the clue to be interesting. But note that the criterion here is not the technical one of etymological overlap so much as the simpler (and more subjective one) of “Is it interesting?”

These two criteria can be at odds with one another. For example, it turns out that the words “pursue” and “prosecute” share a root, yet we don’t think it would be a crime to use the first in a definition of the other. Conversely, sometimes a word can be broken into pieces that seem to share a root with the word, but don’t. “Alewife,” for example, is a fish whose name has no etymological relation to either ale or wives. A charade clue based on ALE + WIFE would not be in violation of the “etymology taboo”—but it would be pretty dull.

Or take the clue “To show or not to show? (6)” for SCREEN. This clue appeared in The Sunday Telegraph (a British newspaper) in January 2012. Not only do these meanings of SCREEN share an etymology but the two definitions actually refer to exactly the same word in both senses! Yet we think the clue is interesting, and believe that most solvers would agree. Similarly, in a recent Christmas-themed crossword for the National Post in Canada, Emily Cox and Henry Rathvon clued FENCES as “Fights barriers (6)”—using two senses of the answer word that come from the same root.

The bottom line is that the etymological “rule” is bogus. Whether a clue is entertaining is not determined by whether it is etymologically correct. Even a solver who might enjoy looking up an unfamiliar word or meaning might be less interested in pursuing dictionary research purely for the sake of evaluating a clue.

How do you feel about the etymology taboo? Please let us know below, and feel free to share comments, questions, kudos or complaints about the current puzzle or any previous puzzle.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x