Formalwear

Formalwear

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“everything takes form, even infinity”
—Gaston Bachelard, from
The Dialectics of Outside and Inside

So I died. Then I filled out a form.
It asked how I made do & a living
& where did I perform
my rotations? “We will inform
the living of your current
address,” said the form. “Here. Wear
this paper gown.” I peered
inside. I formed an opinion
of my torso, which was as I’d left it—
too solid from living large.
But I’ve left out a vital
detail: I lived
in the form of a young
woman once, like a formal gown
adorned in sequence. I was adored
& worn, in a fit
of pheromonal forms, in
& out & in. Left
for dead, I led existence on.
Time wore on. Time warred
on. A police officer
informed my father
of his cardiac arrest, warned me
I was next. The officer’s speech
was so formal I fell
into a love. We married. We exchanged
speech & touch. Formerly,
we’d said we’d
never. Then we reformed.
If not for the police, I’d have never
worn white. If not for the lice,
I’d have never left
my hair on my father’s grave.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

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Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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