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Gdansk Showdown

In the medieval city of Gdansk, in a courtroom packed with police, three men stand in the dock.

Daniel Singer

January 2, 1998

In the medieval city of Gdansk, in a courtroom packed with police, three men stand in the dock. They are Wlydyslaw Frasyniuk, a bus driver from Wroclaw; Bogdan Lis, a mechanic from Gdansk; and Adam Michnik, an intellectual from Warsaw. The purpose of the trial is to obliterate the two lessons written nearly five years ago in Gdansk, during the glorious Polish summer of 1980: first, that even in a country calling itself Communist, workers need an autonomous organization to defend their interests; and second, that intellectuals do have a historical role to play if they are linked to a genuine social movement.

The three men are in the dock ostensibly because in February they met with five other Solidarity leaders, including Lech Walesa, and advocated a token fifteen-minute national strike to protest a proposed hike in food prices. After 1970, the Polish rulers were in no position to raise food prices because they feared violent resistance by the workers. The first thing Gen. Wojciech Jaruzelski did after his tanks smashed Solidarity in 1981 was increase retail prices. The regime wants to make it plain that it has no intention of giving the workers a veto over economic policies, and will use force if necessary to stop them.

The government, however, does not rest on violence alone. To improve its political standing and to enable it to clinch a deal with the international moneylenders, the regime decided a year ago not to stage a political trial of the dissideuts but to proclaim an amnesty. Why has it chosen to go ahead with the trial now? Partly because it wants to step up repression at home, and partly because it believes the gnomes of Zurich and other banking capitals have no sympathy for strikes and that Western governments are ready to ditch Solidarity.

It is hard to say if Western rulers are being truer to their beliefs when they side with the bosses–even allegedly Communist bosses–against the workers, or when they shed crocodile tears over the rights of labor in Poland (though not, God forbid, in Chile or Turkey). Yet their hypocrisy in no way justifies our inaction. We must protest vociferously both the antidemocratic trial in Gdansk and the secretive way it is being conducted. We owe it to the men in the dock, to the 200 or so political prisoners in Poland and to the millions of workers who gave us such a bold and hopeful example. The Jaruzelski government is testing how far it can go without provoking a popular outcry that government and financial circles could not ignore. For once, our voices do matter. So does our silence.

Daniel SingerDaniel Singer, for many years The Nation's Paris-based Europe correspondent, was born on September 26, 1926, in Warsaw, was educated in France, Switzerland and England and died on December 2, 2000, in Paris. He was a contributor to The Economist, The New Statesman and the Tribune and appeared as a commentator on NPR, "Monitor Radio" and the BBC, as well as Canadian and Australian broadcasting. (These credits are for his English-language work; he was also fluent in French, Polish, Russian and Italian.) He was the author of Prelude to Revolution: France in May 1968 (Hill & Wang, 1970), The Road to Gdansk (Monthly Review Press, 1981), Is Socialism Doomed?: The Meaning of Mitterrand (Oxford, 1988) and Whose Millennium? Theirs or Ours? (Monthly Review Press, 1999). A specialist on the Western European left as well as the former Communist nations, Singer ranged across the Continent in his dispatches to The Nation. Singer sharply critiqued Western-imposed economic "shock therapy" in the former Eastern Bloc and US support for Boris Yeltsin, sounded early warnings about the re-emergence of Fascist politics into the Italian mainstream, and, across the Mediterranean, reported on an Algeria sliding into civil war. The Daniel Singer Millennium Prize Foundation was founded in 2000 to honor original essays that help further socialist ideas in the tradition of Daniel Singer.  


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