Hot Type: 150 Years of The Nation

Hot Type: 150 Years of The Nation

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The Nation, America’s oldest weekly magazine, founded in 1865 and now in its 150th year, has long been considered one of America’s definitive journalistic voices. Hot Type, the new film by Barbara Kopple, a two-time Academy Award winner for Best Documentary Feature, tells the riveting and surprising story of The Nation.

The film captures daily life at the magazine, introduces staff writers and editors past and present, and follows members of The Nation’s sought-after internship program. At the heart of the film are the reporters covering stories in the field, and the in-depth coverage and long-term perspectives that The Nation provides on core issues like racial justice, foreign intervention and climate change. It is the story of The Nation—and the nation—evolving into the future, as it is guided by its remarkable past.

Who Wrote for The Nation?

The Second Part of the Sentence

Amy Wilentz in Haiti

Hot Type premiered at the MoMA Film Festival in February and has since screened in Los Angeles, Tucson, Kansas City, Chapel Hill, Madison, and Montclair as part of The Nation’s 150th Anniversary tour. Next up will be the first public New York City screening on May 26 as part of the IFC’s Stranger than Fiction series. Check The Nation’s 150th events page for info on other screenings and events coming up coast to coast in 2015.

 

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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