The Marriage of Orpheus

The Marriage of Orpheus

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Something brushed my cheek with damp–
a leaf, its little valley slick with run-off

after rain. One last drop shook loose
and struck a spider web, which shuddered

but held on to this grieving world
so a butterfly–a mourning cloak?–

could uncoil its watch-spring of a tongue
in the time it took a limousine to stretch

down the thin twig of street, almost to my door.
A long albino snake gone straight,

tied with a big white bow–O pet,
you’re not mine. You belong a few doors down–

see, here comes a man in gold morning coat,
carrying pale pink roses like a lute.

He leaned inside the low dark cave
of a car to kiss someone I never saw,

who straightened his pale pink cravat.
Orpheus, would love turn back while it can?

Around the corner a nurse in white
stood at an open door, lifting her long white arm

gently to bar the way of an old woman
bundled in hat and coat, though it was August.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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