More Dangerous Than a Thousand Rioters: The Revolutionary Life of Lucy Parsons

More Dangerous Than a Thousand Rioters: The Revolutionary Life of Lucy Parsons

More Dangerous Than a Thousand Rioters: The Revolutionary Life of Lucy Parsons

What we can learn from one of the great organizers in American history.

Facebook
Twitter
Email
Flipboard
Pocket

There is one word we should all be thinking in these first days under president-elect Donald Trump. One word that we should be shouting as we begin the work of combating the racist and misogynist policies that will inevitably come. One word we should embody now more than ever: Organize. Under Trump, we will need to come together in radically new ways, ways we haven’t even envisioned yet. In moments like these, artists have an especially unique role, actively encouraging community and care, critiquing misogyny and white supremacy, and resurrecting important histories of resistance and rebellion.

The contemporary political moment requires us to seek out those whose lives and actions inspire us. Looking back, historical radical heroes can provide us with a compass; some direction as to where and how to firmly plant our feet as we prepare to organize like never before, and engage more deeply in struggles against racism, sexism, capitalism, transphobia, and homophobia.

In these difficult times, I find myself turning to a woefully underappreciated and under-studied woman named Lucy Parsons.

Parsons was an organizer first and foremost, and she led an inspiring life of revolutionary struggle and solidarity. As a woman of color who was married to a famous white male anarchist, she is often unfairly and frustratingly overlooked in many labor histories. Born in the early 1850s, Parsons moved to Chicago as an adult, where her politics radicalized as she witnessed the Great Railroad Strike of 1877. Parsons began writing for several socialist and anarchist publications while supporting her family as a dressmaker, while also organizing garment workers across Chicago. Parsons would go on to become one of the most powerful voices in the labor movement, helping to found the legendary Industrial Workers of the World. She spent her entire life fighting for the rights of the disenfranchised.

I made this short animated-documentary, as a celebration for and appreciation of Lucy Parsons—but mostly I made it because if we are to find a way forward out of the mess that is coming our way, we will need to actively seek out revolutionary heroes who struggled before us. Those who risked their lives for struggle every day—those who fought tirelessly against the ruling class and the rule of capital. Animation allows us the incredible power of resurrection—the ability to bring back to life the stories and struggles that we need to remember and learn from today, more than ever.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x