More Money, Les Moonves

More Money, Les Moonves

Seen, heard and observed on the picket line in Los Angeles as the WGA strike enters its second week.

Facebook
Twitter
Email
Flipboard
Pocket

Seen, heard and observed on the picket line in Los Angeles as the Writers Guild of America strike enters its second week:

Too much enthusiasm:

Writers picketing in Che Guevara T-shirts

Too little enthusiasm:

Writers picketing with Blackberrys and cell phones

Too much fun:

Walking the line with everyone you’ve ever worked with

Too little fun:

Walking alone back to your car, with no work in sight.

Too literal for showbiz insiders:

“We write the story-a for Eva Longori-a!”

Too obtuse for showbiz outsiders:

“More money, Les Moonves!”

Too too:

CAA interns walking the line with chirros on serving trays

Tutu:

On the buxom boxing ring babe working a DAY 5 sign at the Fox Rally

Too little perspective:

“I’m really making an impact by getting cars to honk”

Too much perspective:

“I’ve spent more time picketing outside this lot than I’ll ever spend working inside this lot”

Too much compensation:

Big movie stars

Too little compensation

: Cable TV staff writers

Too predictable:

Jesse Jackson joining strikers on the line

Too little too late

: Bill Clinton offering to negotiate

Too familiar:

Union members trying to hold onto middle class lifestyle

Too remote:

The chance of that happening

Two Days in the Valley

: Engaging filmic view of life in Los Angeles scripted by WGA member John Herzfeld

Two Coreys

: Inane episodic view of life in Los Angeles unscripted by Haim and Feldman on A&E

Two for the price of one

: Writing content for televsion and Internet “promotional” videos

Two for the price of one:

Sagehand strike forces closure of Broadway shows on Saturday, spreading the industry pain to both coasts

Too good to be true:

Rumors that the strike will end quickly

Too terrrible to imagine:

The strike lasting until Screen Actors Guild contract expires in June

To be or not to be

: Next year’s pilot season

Tomorrow

: and tomorrow and tomorrow WGA members creep in this petty pace from day to day assembling at studio gates in four hours shifts from 6 am to 2 pm

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x