December 25, 2006
Long before the patriot acts of anthems Say it Loud, I’m Black and I’m Proud, Funky President and Living In America, you and your Revue were
the only flames the hood could afford, and by “hood” I mean “nation” and by “nation” I mean “community” and by “community”
I mean any one of the various Black “folk” Americas within Black America, the Constitution’s future reframers.
Your famous flames were not the famous flames of civil war or civil rights. These flames were raw chicken guts
and a bewildered next-time fire of choked chords and percussive horns Papa lit the behinds of new bags with.
To quote Sweet Charles, Yes it’s you the warm globe mourns… for passing mashed potatoes and peas. Gimme some more.
No. 1, not because of the hits but because the roads, like Augusta, all lead back to you. Georgia might not-never let us bury you.
The hellish crossroads of black genius (not geography) left you leathery as Miles. Not the first to smack-your-bitch-up and stick-it-to-the-man,
but the first to smack-your-bitch-up, stick-it-to-the-man, fine your band, tour Vietnam, serve two drummers,
fire your band, tour Africa, save the Boston Garden, endorse Nixon, rehire your band, sue a rap group and start a choir in prison.
Pre Hip Hop, you had your own emcee, your own dancers, your own cape, Lear jet and crown. You graduated Super Bad.
Dr. King called it Drum Major Instinct. Shirley Chisholm, unbought and unbossed. Damn right you were somebody!
“These nuts,” that’s what all the Camel Walks, splits, spins and Popcorns told those early closed doors. Get up offa that thang.
Long live your plea please pleases, Byrd’s brotherly loyalty, and calling-on Maceo’s licking-stick. Live at the Apollo laid legend to myth.
Before Hammer Time, there was a time when “whatsinever” you did, you did “to death.” Funky Broadway.
Your eeeeeeeeeeeyow will never rest. You remain proud, cold bodyheat and sweat, that muthafucka Black Caesar, the only one who ever murdered dying.
Wasn’t Jesus born today? The Big Payback: the Angel Pneumonia (not escape-ism) calling the Godfather only halfway home. What you gon’ play now?
(Harlem, January 2007)
Thomas Sayers EllisThomas Sayers Ellis is a poet and photographer. A co-founder of The Dark Room Collective in Cambridge, Massachusetts in 1988, he is an assistant professor of creative writing at Sarah Lawrence College. He has published two volumes of poetry, The Maverick Room and Skin, Inc., and is currently at work on a collection of photographs titled The Go-Go Book: People in the Pocket in Washington, D.C. Photo credit: Rachel Eliza Griffiths 2010