My Crow, Your Crow

My Crow, Your Crow

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Crow light: I call it that at dawn
when one wing, then this other, bursts in flame,
catching the sun’s rising. The stupid bird,
dipping his hunk of bread into the water,
doesn’t know the Mississippi is my friend:
it disgorges in the gulf the frozen states I came from.
Mississippi! She was a grade school spelling word
in Detroit for me. I spelled well. Now, forty years later
I jog beside her interchange of gold and silver lustres,
always too much in love with any surface of the world.
But the crow: I know it’s not the same bird
morning after morning. Still, the dipping of his beak
into this water, softening a breakfast for his gullet
demanding, like mine, daily satisfactions
lets me pretend every day’s the same.
On one chunk of that bread some day up ahead
my last day is written, clear as the printing
on my birth certificate on file in Michigan.
Crows dip their bread. Daily, I run for breath,
hoping to extend my distance, even a little.
The Mississippi muddies, clears, according to the factories
up North, the local, snarled measures against its dying.
Slowly, even the river is passing from us while I run.

We cannot back down

We now confront a second Trump presidency.

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The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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