Nation Note

Nation Note

After a memorable thirty-five years, Grace Schulman steps down as Nation poetry editor.

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We are sad to announce the departure of Grace Schulman, poetry editor of The Nation since 1972, who is stepping down to devote more time to her writing. Grace’s poems have earned her numerous prizes, including a Guggenheim Fellowship and the Aiken Taylor Award in Modern Poetry. Like many readers, we look forward to her new book, The Broken String, which will appear this spring. Meanwhile, we honor Grace for her remarkable service to the magazine, which has been greatly enriched by her blend of passion and discernment and by her unfailing kindness and, yes, graciousness. During her tenure, The Nation has published poems by Joseph Brodsky, Derek Walcott, James Wright, Mona Van Duyn, Louise Glück, Pablo Neruda, James Merrill and A.R. Ammons, as well as work by many emerging poets who later achieved wider recognition. Grace’s own essays and reviews have appeared here as well. Fortunately, she will not be leaving us altogether: Grace will continue to judge the poetry contest Discovery-The Nation, which she founded in 1973. A big thanks from all of us, Grace.

Assuming Grace’s duties as poetry editor will be John Palattella, who has been writing about poetry for The Nation since 2002. John’s essays have appeared in many other publications, including The London Review of Books, Boston Review and Bookforum. Writing on an impressive range of subjects, from French Surrealism to the Lower East Side avant-garde, from the Brooklyn waterfront to the jazz-inflected verse of Nathaniel Mackey, John has displayed great gifts as a critic–sensitivity to form, historical erudition and a refusal of the provincial dogmas that so often balkanize the small world of poetry. We believe these qualities will also stand him in good stead as our poetry editor.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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