Pemberly

Pemberly

The park was very large. We drove
for some time through a beautiful wood
until the wood ceased, and the house came into view.

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The park was very large. We drove
for some time through a beautiful wood
until the wood ceased, and the house came into view.
Inside were miniatures, small faces
we gawked at until a housekeeper showed us
the master’s finer portrait in an upper room.
I dredged up a shaming moment:
you asked me a question, then ducked as I spewed
an idiot’s vitriol, blindness disguised as rage.
The house stood well on rising ground,
and beneath its slopes the thirsty couples
held their glasses high at Café Can’t Wait.
I spent time at its flimsy tables
but then I walked under trees whose leaves
exhaled gusty stories of good deeds;
I learned empty houses are excellent teachers;
I sent you away and felt you grow
tremendous in your absence. Ask me again.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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