And an inability to comprehend the flow of time. We need only think of statements by everybody. I cannot call my- self myself. Up to this point, the dreamer is dreaming, but now his dream begins. Unities of recollection, separate from one another. Thus in this present world, there are different injuries.
I never hear them. They come uninvited. Silver tissue. Garlands between them. Any activity may produce music. Aware of their existence as an awareness of losing their sense of ex- istence: vague, general, nameless, like a nothing or the absolute. I am dead. I am not alive, a music of exceeding shrillness.
May be pleasantly illustrated in the following way. Light on his head. Felicitous, contains some fabrication. I am forced to shout out, trace failure to the stage when plans are construed. I see a table before me. I am reminded of another table. I place table beside table. Separate worlds. In what sense are we talking?
Keith WaldropKeith Waldrop (born Emporia, Kansas, 1932) teaches at Brown University in Providence, Rhode Island, and, with Rosmarie Waldrop, is editor of the small press Burning Deck. Recent books include translations of Anne-Marie Albiach and Claude Royet-Journoud. Forthcoming this spring are three titles: Transcendental Studies, a book of poems (University of California Press), Several Gravities, a book of collages (Siglio Press) and a translation of Baudelaire's Paris Spleen: little poems in prose (Wesleyan University Press).