River Road

River Road

A poem.

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So you had your share of summer nights,
Cars braking along the river road–
the world still asleep yet alive with threat,
the high grieving sound of acceleration.

Beauty grew too fast, like your body,
ungainly, unfaithful. Along the river road
there were nodding lilacs. Every intersection
dangerous. Your life dangerous, but you

didn’t know then how damage is made. Not
just the flipped chassis, spun apart into
anecdote–but night’s notched velocity
ascending through a blue reservoir of scent.

No, to remember the inevitable in terms
of engaged, disengaged, gear to gear, one
heightening judgment–is to forget that back
then the worst happened each time it happened.

What was speaking loud over the figure on
the dash, that was God. Or not God–
something flashing past each roadside
presence: statue after gesturing statue
trying to reverse your belief in imagination

as the opposite of fate. Imagine a speed
at which you could make what was happening
not be true, a speed at which you could bargain
for it: that you, on fire, could be somebody else.

We cannot back down

We now confront a second Trump presidency.

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Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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