Christine's last post on the American Family Association's successful scuttling of "anti-Christian" television programming makes an interesting counterpoint to much of the media coverage of the Danish cartoon demonstrations. Cast as "a contest between...immutable religious beliefs and uncompromising freedom of speech" (see Mahir Ali on Znet for the full critique), mainstream media have played the protests off as another "clash of civilizations." But freedom of speech is a poor framework for such a global and complicated story because "freedom of speech," however abstractly and absolutely put, is realized in local-national contexts. Critics have pointed to European and Canadian laws that prohibit varieties of "hate speech" (including bans on anti-Semitic and pornographic material). And as Christine's post reminds us, "freedom of speech" in the US doesn't mean media outlets are immune to boycotts and political protests, particularly from the Christian right. Think of the controversy over Andres Serrano's "Piss Christ" or Chris Ofili's "The Holy Virgin Mary."
One way to think of this all is as a struggle to define and control sacred texts and images (the Prophet Muhammad, the Virgin Mary, the crucifixion of Christ) whose religious power derive from their segregation from other cultural and political symbols. The Prophet is not drawn, and he most certainly does not carry out suicide bombings. Jesus does not endorse a cooking show or swim in urine for kicks. Such attempts at religious control are fraught enough in mono-religious cultures, but become tragicomic in multicultural contexts (as the brouhaha over Ofili's painting of the Virgin Mary made in part by African elephant dung reminds us). Secularism proposes to be that neutral ground that resolves the sacred and the profane (in part by censoring and limiting both), but the mainstream is having a hard time digesting this one.
Finally, I'll just point out that religious roots acknowledged, at least in Afghanistan, Christian Parenti writes that the protests are fueled both by anti-Western sentiment stirred up by occupation and by "specifically local political and economic grievances."
Richard Kim
Christine’s last post on the American Family Association’s successful scuttling of "anti-Christian" television programming makes an interesting counterpoint to much of the media coverage of the Danish cartoon demonstrations. Cast as "a contest between…immutable religious beliefs and uncompromising freedom of speech" (see Mahir Ali on Znet for the full critique), mainstream media have played the protests off as another "clash of civilizations." But freedom of speech is a poor framework for such a global and complicated story because "freedom of speech," however abstractly and absolutely put, is realized in local-national contexts. Critics have pointed to European and Canadian laws that prohibit varieties of "hate speech" (including bans on anti-Semitic and pornographic material). And as Christine’s post reminds us, "freedom of speech" in the US doesn’t mean media outlets are immune to boycotts and political protests, particularly from the Christian right. Think of the controversy over Andres Serrano’s "Piss Christ" or Chris Ofili’s "The Holy Virgin Mary."
One way to think of this all is as a struggle to define and control sacred texts and images (the Prophet Muhammad, the Virgin Mary, the crucifixion of Christ) whose religious power derive from their segregation from other cultural and political symbols. The Prophet is not drawn, and he most certainly does not carry out suicide bombings. Jesus does not endorse a cooking show or swim in urine for kicks. Such attempts at religious control are fraught enough in mono-religious cultures, but become tragicomic in multicultural contexts (as the brouhaha over Ofili’s painting of the Virgin Mary made in part by African elephant dung reminds us). Secularism proposes to be that neutral ground that resolves the sacred and the profane (in part by censoring and limiting both), but the mainstream is having a hard time digesting this one.
Finally, I’ll just point out that religious roots acknowledged, at least in Afghanistan, Christian Parenti writes that the protests are fueled both by anti-Western sentiment stirred up by occupation and by "specifically local political and economic grievances."
Richard KimTwitterRichard Kim is editor in chief of TheCITY.NYC, New York City's nonprofit, nonpartisan, local news organization. He was formerly executive editor of HuffPost, and before that, spent over two decades at The Nation, where he held positions ranging from intern to columnist to executive editor.