Saving the Children

Saving the Children

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Every day they were trapped, we checked in
with the nightly news to hear how
the Wild Boars were doing. A boot camp
had been set up at the mouth of the cave
after two divers discovered the boys
and their coach perched on a rocky ledge,
licking the walls for water, edging away
from the questioning sweep of the camera
as if afraid of exposure to the light
of the divers’ flashlights, then bowing
in gratitude, their thin limbs,
reminiscent of children in newsreels
from the liberated camps.
We listened for updates:
volunteers pouring in—an Aussie doctor
stayed with them, checking their hearts,
their lungs, the ambient oxygen; a Danish
spelunker cut short his vacation to map
the underground labyrinth; a billionaire
built a mini submarine to float them out
of the narrow birth-canal-type tunnels;
ministers offered prayers, rescuers their lives
(one taken in earnest)—everyone working
together to get the Wild Boars out
before the rains fell and the waters rose.
But before we could switch
channels and savor the jubilation
of watching them saved from the worst
that could happen, trotted out of the cave,
wrapped in tin foil like baked potatoes
and rushed under golf umbrellas
to the thunderous sound of a downpour
of clapping into the waiting helicopters,
their mothers, aunties, grandmothers already
readying the meals the boys had requested—
fried rice with crispy pork, spicy chicken—
we heard the crying
of children ushered into chain-link
enclosures, calling for their mothers,
their fathers, the wrenching look
of a toddler glancing up at the face
of a stranger speaking a language
she didn’t understand—
And we didn’t understand
how this could happen: on the one hand,
saving the children, on the other hand,
wresting them from their parents,
as if we live in a zero sum world
where something has to be taken away
if something is put back together,
happiness being the give of a rope
that goes taut somewhere else—
where a body hangs limp
from the branch where the lynch mob
has strung it.
It must be the fault
of such cruel mathematics, for how
else to understand this strange
disconnect, as if a part of us
we didn’t know we had lost
in the fear-filled caverns of the heart—
the selves we discovered we could be
when we saved the Wild Boars—
were calling to us in the voices
of terrified toddlers,
in danger of being drowned out,
as the waters keep rising.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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