Scariest Ad of the Week

Scariest Ad of the Week

Agree with this ad, or else.

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Every time I see this ad, or one of the ten others in its series, I start to shudder. It’s not just the Sturm-und-Drang music and the sheer weirdness of the script (“We are surrounded by a world that demands we submit, succumb, and believe in nothing…. the cowards who pretend they don’t notice the elderly man fall and who walk right past the little girl who’s way too young to be here alone, who raise the volume to silence the scream in the night”). It’s also creepy because you don’t find out until the very end what product it’s shilling. But here’s a hint: watching it, you might just feel like you have a gun pointed at your head. Agree, or else.

Michael Daly at the Daily Beast details why this multimillion-dollar ad campaign is “despicable.”

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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