Should Rush Limbaugh Get Artistic License?

Should Rush Limbaugh Get Artistic License?

Should Rush Limbaugh Get Artistic License?

Frank Bruni responds to novelist Paul Theroux’s worries about language police.

Copy Link
Facebook
X (Twitter)
Bluesky
Pocket
Email

A great column today by Frank Bruni on “Why are scarlet letters stitched only on women?” He responds to novelist Paul Theroux, who wrote in the Daily Beast that liberals “must give Limbaugh a pass, otherwise you lose the right to go on calling Gingrich and Eric Cantor pimps for Israel, and Rick Santorum a mental midget, and if you foreswear colorful, if not robust or wicked language altogether you might as well shut up.” Here’s Bruni:

It’s an interesting point, but it ignores the precise type of language Limbaugh turned to and assumes an even playing field where one doesn’t exist.

While both men and women are called idiots and puppets and frauds, only women are attacked in terms of suspected (or flat-out hallucinated) licentiousness. And only for women is there such a brimming, insidious thesaurus of accordant pejoratives.

Decades after the dawn of feminism, despite the best efforts of everyone from Erica Jong to Kim Cattrall, women are still seen through an erotically censorious prism, and promiscuity is still the ultimate putdown.

It’s antediluvian, and it’s astonishing. You’d think our imaginations would have evolved, even if our humanity hasn’t.

Anthony Weiner may have been felled by his libido, but the weirdness of its expression and his recklessness were what people mainly balked at. Ditto for John Edwards. No one called them gigolos.

You could argue that Limbaugh chose the slurs he did for Fluke simply because the context, a debate over contraception, was in part sexual.

But there are examples aplenty of women being derided as sluts and prostitutes—two of his descriptions of Fluke—when sex is nowhere in the preamble, nowhere in the picture.

Support independent journalism that exposes oligarchs and profiteers


Donald Trump’s cruel and chaotic second term is just getting started. In his first month back in office, Trump and his lackey Elon Musk (or is it the other way around?) have proven that nothing is safe from sacrifice at the altar of unchecked power and riches.

Only robust independent journalism can cut through the noise and offer clear-eyed reporting and analysis based on principle and conscience. That’s what The Nation has done for 160 years and that’s what we’re doing now.

Our independent journalism doesn’t allow injustice to go unnoticed or unchallenged—nor will we abandon hope for a better world. Our writers, editors, and fact-checkers are working relentlessly to keep you informed and empowered when so much of the media fails to do so out of credulity, fear, or fealty.

The Nation has seen unprecedented times before. We draw strength and guidance from our history of principled progressive journalism in times of crisis, and we are committed to continuing this legacy today.

We’re aiming to raise $25,000 during our Spring Fundraising Campaign to ensure that we have the resources to expose the oligarchs and profiteers attempting to loot our republic. Stand for bold independent journalism and donate to support The Nation today.

Onward,

Katrina vanden Heuvel

Editorial Director and Publisher, The Nation

Ad Policy
x