Silver Spoon Ode

Silver Spoon Ode

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I was born with a silver spoon in my mouth,
and a silver knife, and a silver fork.
I would complain about it—the spoon was not greasy,
it tasted like braces, my shining access
to cosmetic enhancement. And I complained about
the taste of my fillings in my very expensive
mouth, as if only my family was paying—
where did I think the rich got
their money but from everyone else?
My mother beat me in 4/4 time,
and I often, now, rant to her beat—I wear
her rings as if I killed her for them, as my
people killed, and climbed up over
the dead. And I sound as if I am bragging
about it. I was born with a spoon instead of a
tongue in my mouth—dung spoon,
diamond spoon. And who would I be
to ask for forgiveness? I would be a white girl.
And I hear Miss Lucille, as if on the mountain
where I’d stand beside her, and brush away the insects,
and sometimes pick one off her, sometimes
by the wings, and toss it away. And Lucille
is saying, to me, You have asked for enough,
and been given in excess. And that thing in your mouth,
open your mouth and let that thing go,
let it fly back into the mine where it was brought
up from the underworld at the price of
lives, beloved lives. And now,
enough, Shar, now a little decent silence.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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