Solver’s Disposition

Solver’s Disposition

A conversation about how we approach solving puzzles

 

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Henri: When you’re solving a cryptic, it can be fun to argue with the constructor in absentia. In our weekend breakfast solving group, for instance, we used to have ongoing arguments with Frank Lewis, The Nation’s cryptic constructor, year after year, decade after decade. In our imagination, we composed a letter that kept getting longer and longer, listing our objections to his clues. This was all in fun, and as much as we complained, we still had fun solving his puzzles.

Joshua: I’ve written those letters in my head myself, more than once. But I never would have considered sending one. What would be the point? Solving puzzles you don’t enjoy, or that go against your personal aesthetics, would be a bore. If the puzzles are that bad, your time is better spent doing something else.

Henri: That’s true. When I pick up my solver’s pencil, I try to put away my editor’s pen. Of course, it’s also fun to solve a puzzle where the clues are so consistently elegant that there is nothing to argue with. The obvious example is Emily Cox and Henry Rathvon’s variety cryptics, which appear monthly in the Wall Street Journal.

Joshua: Different solvers have different preferences, and even the same solver may have different preferences depending on context and mood. For example, while I like clear boundaries in a variety cryptic crossword, I also enjoy wide-open challenges in a puzzle hunt, such as DASH, where you don’t even know a priori what the rules are, and are not given instructions.

Henri: Another contrast is between a situation where I know I can solve the puzzle, as opposed to one where that is in doubt for a long time. In the first situation, I proceed methodically from A to Z and it’s just a matter of time before I’m done. In the second, I may solve a few clues and hit a wall. Then I might put the puzzle aside, and come back to it a few hours later or the next day, and solve a few more. I’m not always in the mood for this sort of challenge, but that kind of puzzle is more satisfying once it is finally conquered. As Piet Hein, the Danish designer of geometric puzzles, put it:

Problems worthy of attack
prove their worth by fighting back.

Joshua: In fact, the same idea applies to a single clue. I love coming across a surprisingly offbeat clue. If I solve a clue on sight, it is often not as pleasurable an experience as cracking a clue where it takes a while for the penny to drop. 

Henri: Inevitably, our own attitudes and experiences as solvers must influence our choices as constructors of the Nation puzzle. We try to write clues we’d like to solve!

Hopefully they are fun for you also. How do you relate to puzzles in general? to The Nation’s puzzle in particular? Please share your thoughts below, where you can also post comments, questions, kudos or complaints about last week’s puzzle or any previous puzzle.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

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Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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