The Radical Life of Rosa Luxemburg

The Radical Life of Rosa Luxemburg

A graphic novelization of the revolutionary life and legacy of “Red Rosa.”

Facebook
Twitter
Email
Flipboard
Pocket

EDITOR’S NOTE: The following is excerpted from Red Rosa by Kate Evans and edited by Paul Buhle. Copyright © 2015 by Kate Evans and Paul Buhle. It is reprinted here with the permission of Verso Books.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mass murder has become a monotonous task, and yet the final solution is not one step nearer. Capitalist rule is caught in its own trap, and cannot ban the spirit it has invoked.

Gone is the first mad delirium. Gone are the patriotic street demonstrations, the singing throngs, the violent mobs. The show is over. The curtain has fallen on trains filled with reservists, as they pull out amid the joyous cries of enthusiastic maidens. We no longer see their laughing faces, smiling cheerily from the train windows upon a war-mad population. Quietly they trot through the streets, with their sacks upon their shoulders. And the public, with a fretful face, goes about its daily task.

Into the disillusioned atmosphere of pale daylight there rings a different chorus; the hoarse croak of the hawks and hyenas of the battlefield. Ten thousand tents, guaranteed according to specifications, 100,000 kilos of bacon, cocoa powder, coffee substitute—cash on immediate delivery. Shrapnel, drills, ammunition bags, marriage bureaus for war widows, leather belts—only serious propositions considered. And the cannon fodder that was loaded onto the trains in August and September is rotting on the battlefields of Belgium and the Vosges, while profits are springing, like weeds, from the fields of the dead.

Business is flourishing upon the ruins. Cities are turned into shambles, whole countries into deserts, villages into cemeteries, nations into beggars, churches into stables; popular rights, treaties, alliances, the holiest words and the highest authorities have been torn into scraps. Hunger revolts in Venetia, in Lisbon, in Moscow, in Singapore; pestilence in Russia; misery and desperation is everywhere.

Shamed, dishonoured, wading in blood and dripping with filth, thus capitalist society stands. Not as we usually see it, playing the roles of righteousness, of order, of ethics—but as a roaring beast, as an orgy of chaos, as a pestilential breath, devastating culture and humanity—so it appears in all its hideous nakedness.

The Junius Pamphlet. Rosa Luxemburg. Published 1916.

 

 

 

 

 

 

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x