They Brought Her In

They Brought Her In

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They brought her in to sit in the audience. They brought her in to listen. They brought

her in to look pretty and keep her mouth shut. They brought her in to laugh at the right

times. They brought her in to pour the wine and eat the crumbs. Do they want her

opinion? Do they want to hear her story? Heavens no, they want her to keep her

opinions and her stories to herself. Or, better yet, not to have any. How is it that they

found her in the first place? She isn’t listed anywhere. She hasn’t joined an agency or

put herself on a website, but somehow they found her. They always find her. But why

did she say yes, and why did she accept the part? She doesn’t know how to act, never

did. She’s always been too real, too hard to take, a pain in the neck/ass/you-name-it. A

headache. When she opens her mouth, something harsh comes out, as if she can’t keep

the bile down, as if she’s been poisoned and she’s trying to choke the poison back up,

trying to save her very life. And maybe she has. Been poisoned, that is, little by little,

sitting in the audience for so long, nodding appreciatively at the monologues, the comic

routines, the confessions, looking pretty night after night, trying to keep her mouth shut

while laughing at the right times. You’ve got to hand it to her, she’s a good audience.

Quite the little listener, as they say. But how can she keep pouring the wine without

spilling, and how long can she survive on crumbs?

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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