These three poems from Blackbird and Wolf are published with permission of Farrar, Straus and Giroux.
Homosexuality
First I saw the round bill, like a bud; then the sooty crested head, with avernal eyes flickering, distressed, then the peculiar long neck wrapping and unwrapping itself, like pity or love, when I removed the stovepipe cover of the bedroom chimney to free what was there and a duck crashed into the room (I am here in this fallen state), hitting her face, bending her throat back (my love, my inborn turbid wanting, at large all night), backing away, gnawing at her own wing linings (the poison of my life, the beast, the wolf), leaping out the window, which I held open (now clear, sane, serene), before climbing back naked into bed with you.
Poppies
Waking from comalike sleep, I saw the poppies, with their limp necks and unregimented beauty. Pause, I thought, say something true: It was night, I wanted to kiss your lips, which remained supple, but all the water in them had been replaced with embalming compound. So I was angry. I loved the poppies, with their wide-open faces, how they carried themselves, beckoning to me instead of pushing away. The way in and the way out are the same, essentially: emotions disrupting thought, proximity to God, the pain of separation. I loved the poppies, with their effortless existence, like grief and fate, but tempered and formalized. Your hair was black and curly; I combed it.
Beach Walk
I found a baby shark on the beach. Seagulls had eaten his eyes. His throat was bleeding. Lying on shell and sand, he looked smaller than he was. The ocean had scraped his insides clean. When I poked his stomach, darkness rose up in him, like black water. Later, I saw a boy, aroused and elated, beckoning from a dune. Like me, he was alone. Something tumbled between us– not quite emotion. I could see the pink interior flesh of his eyes. "I got lost. Where am I?" he asked, like a debt owed to death. I was pressing my face to its spear-hafts. We fall, we fell, we are falling. Nothing mitigates it. The dark embryo bares its teeth and we move on.
Henri Cole