The V-Word Is Heard

The V-Word Is Heard

Facebook
Twitter
Email
Flipboard
Pocket

That 18,000 people–mostly female–filled Madison Square Garden, a basilica of boy-sport theology, on February 10 to watch a celebrity-packed performance of The Vagina Monologues represents a slightly less staggering achievement than a women’s takeover of the Vatican or the Chabad Lubavitcher world headquarters. The show was the capper to a daylong international event called V-Day: The Gathering to End Violence Against Women, during which sixty women from six continents presented stop-rape strategies. What was most remarkable about these projects was their insistence not simply on shielding women but on permanently and radically altering how communities talk about rape and deal with rapists. In the evening, the most arresting image was that of an Afghan woman, obliterated by her burqa, moving like a silent, anonymous hill of cloth toward the stage. When the cloth was lifted, a young woman emerged, dressed in the casual jacket-and-pants outfit that would blend in on any university campus in the world, but that her own country’s Taliban movement would deem reason enough to beat her to death on the spot.

Those who endeavor to dismiss events like V-Day as pageants of single-issue identity politics are missing the point. The reports of sequestering of Vietnamese women in a Korean-owned sweatshop in American Samoa, where they were fed cabbage water, housed forty to a rat-infested room and kept under the thumb of sexual predators, is a reminder that at the very bottom of the “race to the bottom” economy, there’s always a room where women are locked, overseen by a male with the power to starve them and to demand blowjobs in return for allowing them to keep working.

Labor organizations like UNITE and the Hotel and Restaurant Employees now understand that feminist issues like sweatshops, comparable worth for women, sexual harassment and education provide the vital pathway toward the expansion and revitalization of their movement. But events like V-Day make an even broader point: Vigorous global feminism is perhaps the single most effective form of resistance to the systematic degradation of human rights standards worldwide, which makes possible the worst ravages of the transnational economy.

The evidence of these depredations abounds. In London, girls as young as 5, purchased as slaves from Africa, Asia or Eastern Europe, are imprisoned in flats where they are rented to businessmen. Since NAFTA’s inception, more than 200 young Mexican women have been raped and murdered on their way home from working in maquiladoras. V-Day’s insistence on a worldwide confrontation of the systems that allow such atrocities kicks open a door for all manner of liberation activists. It’s harder to imagine a single greater threat to the global sweatshop economy than the systematic pursuit of the rights of women.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

Ad Policy
x