Valet of the Shadow of Death

Valet of the Shadow of Death

Welcome to our treasured island
seized from the tribe
of enemy combatants
who nursed us through
the winter of 1642.

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Welcome to our treasured island
seized from the tribe
of enemy combatants
who nursed us through
the winter of 1642.

This heap of shoes.
This copper beech.
This highway butter.

This featureless cottage
about to be filled
with “genuine antiques.”

This track into milkweed
seen from the ground.

This monumental train
that thought it could
replace the barge
before it got choked out
by interstate
trying to protect
inalienable piracy.

Planes thrown down
like lightning.
Lightning thrown
like a glove.

This is not a camera
passing through
the comb-like trees.

This theory with its
problematic central arc
will be for sale
when the poem is over.

This is the end
of the bike path.

The moving sidewalk
is about to end
with the future on it
loaded with blankets
looking for a place to lie down.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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