Why Claudia Rankine Writes for the Resistance

Why Claudia Rankine Writes for the Resistance

Why Claudia Rankine Writes for the Resistance

The poet and essayist sees this as a moment of opportunity, not just struggle.

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Poet, essayist, and Yale University professor Claudia Rankine emerged as a somewhat inadvertent hero of the anti-Trump resistance before Trump had even become the Republican nominee. At a rally early on in his campaign, a young black woman, prominently visible behind the candidate, sat reading a book. That book was Rankine’s Citizen: An American Lyric, a sprawling, essayistic poem, published in 2014, about the scourge of racism in African-American life. (“You can’t put the past behind you. It’s buried in you; it’s turned your flesh into its own cupboard,” Rankine wrote.) The woman, 23-year-old Johari Osayi Idusuyi, said she’d attended the rally “with an open mind” but was quickly turned off by the bullying that Trump and the crowd directed toward protesters. The best way to pass the time, she decided, was to keep reading. “It wasn’t just the fact that she held up Citizen as a form of protest,” Rankine told me over the phone. “It was also that she insisted on her right to protest. Protest in the form of reading—that’s even better.”

A little over two years later, Rankine has cemented her status as a key voice within the resistance. After winning a MacArthur “genius” award in 2016, she announced that she would use the grant money to study “whiteness,” and in September of 2017, she wrote an unflinching piece for The New York Times asking why some Americans have been surprised by the overt racism that has emerged in this political moment, given that it has been festering since the country’s founding. “Americans continue to request that our president indulge our national sentimentality and with a show of good manners denounce white supremacy,” she wrote. But 
”[w]as there ever a moment when the persecution of nonwhite Americans wasn’t the norm?” Still, the emergence of a Republican presidential campaign that “ran on racial hate” is significant. As Rankine elaborated in our conversation, “The force [of that racial hate] was amplified with this administration. Whether it’s micro- or macro[aggressions], it’s all racism,” and with Trump’s election, it has now been given “further legislative power.”

For Rankine, the expectation of racism doesn’t lessen its blow. “To expect something and then to have to incorporate it are two very different things,” she said. “And as much as I was not surprised about the result of the election, it still was devastating to me.” Yet the response of ordinary women to this administration has come as a big surprise. “It’s a new moment of asserting the rights of women,” Rankine told me. “I’m delighted by that, and also curious to see how far-reaching it will be…. We understand more than ever the importance of being involved civically.” However you might contribute, “you suddenly feel the urgency for that.”

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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