At Work

At Work

On slow wings the marsh hawk is patrolling
possibility–soaring, sliding down almost to ground level,
twisting suddenly at something in the marsh hay or dune grass,

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On slow wings the marsh hawk is patrolling
possibility–soaring, sliding down almost to ground level,
twisting suddenly at something in the marsh hay or dune grass,
their autumnal colours snagging his eye
where he finds the slightest aberration, any stir
that isn’t the wind’s, and abruptly plunges on it.

that isn’t the wind’s, and abruptly plunges on it.   Then,

if he’s lucky–and that scuttling minutiae of skin and innards,
its hot pulse hammering, isn’t–he will settle there
and take in what’s happened: severing the head first,
then ripping the bright red strings that keep the blood in check,
then eyes, gizzard, heart, and so to the bones, cracking
and snapping each one–that moved so swift and silent
and sure of itself, only a minute ago, in the sheltering grass.

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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