A Portrait of the Artist as I Hate You
Honey, what was it—my original stinking sin?
When, thick-tongued and fangless, I hungered to be seen
from all angles, how could you take those pipe dreams
to mean Psycho, shower scene?
Was I too tender for you? You left me slow and lowly.
Fall off the bone. Forked up wholly holey
to my febrile fibers. What other grub daydreams
of filling up your belly?
Come REM, come starry comas sopped in sepia,
how come you keep on slipping past my sleepier
defenses, the walk-on cameo of my dreams?
Cast me. I’d play it creepier.
If I were you? Sin would sun, blisters unblue
to blusters, everything indrawn bloom into
blank sheets. Untouched. If you (in your dreams’ dreams)
were me, you’d hate you too
and gratefully, hate to be granted a way with words,
away-with-murder words, a wave dragged shorewards
dredging the unconscious, a wasting away of dreams
to silt, salt, sea-sharp shards,
who’s crying over that? So what if life’s long
and lullabying as a Ramones song
—that remains to be unseen, rewound in dreams
where this time I’m strong, strong
as the black box the crash coughs up to keep
one record of the wreckage stashed, coffin-deep,
for the rest of our days. Deep as those charmed dreams
where all I do is sleep.
Can we count on you?
In the coming election, the fate of our democracy and fundamental civil rights are on the ballot. The conservative architects of Project 2025 are scheming to institutionalize Donald Trump’s authoritarian vision across all levels of government if he should win.
We’ve already seen events that fill us with both dread and cautious optimism—throughout it all, The Nation has been a bulwark against misinformation and an advocate for bold, principled perspectives. Our dedicated writers have sat down with Kamala Harris and Bernie Sanders for interviews, unpacked the shallow right-wing populist appeals of J.D. Vance, and debated the pathway for a Democratic victory in November.
Stories like these and the one you just read are vital at this critical juncture in our country’s history. Now more than ever, we need clear-eyed and deeply reported independent journalism to make sense of the headlines and sort fact from fiction. Donate today and join our 160-year legacy of speaking truth to power and uplifting the voices of grassroots advocates.
Throughout 2024 and what is likely the defining election of our lifetimes, we need your support to continue publishing the insightful journalism you rely on.
Thank you,
The Editors of The Nation