A Smiling Understanding

A Smiling Understanding

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There is an understanding,
a smiling understanding,
between orchards and orchestras.
Jazz and Bach are fertilizers,
something extra. Trees are much older than music
and poetry, were gods for good reasons.
They have bodies and souls. Trees are choirs,
mezzo sopranos, coloraturas,
tenors and baritones, castrati.
I live with music and trees, orchards of music,
woodwinds and sextets. I sing
the “I don’t lie to myself” blues.
I learn from my suffering to understand
the suffering of others. I climb musical scales.
Trees have an embouchure. I’m a sapling.
Breath and wind blow through me.
This winter is a coda of falling leaves,
sequoias and magnolias Louis Armstrong
Coltrane willows, citrus, and evergreens.
I have a band of tree brothers and sisters,
we are not melancholy babies.
I age like a rock, not a rocking chair.
A rock does not wear spectacles,
have a heart with winter in it,
or use a walking stick. It is dangerous
for anyone to call me “young fellow.”

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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