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Strewn across the floors their toys and things, a video cassette the dad
had written “We used to have more of these” on,
the kitchen in a state of high party, boxed cakes half eaten, cannoli
and rows and rows of drinks were pastries brimming with cream
along the broken ramparts of the countertops, we noticed blue carpet
but hardwood elsewhere, no choice had been right
the house abandoned in haste if in triumph or terror, just
abandoned, a family photo on the wall when the twins were babies
dad diminutive and round, pale as batter, mom had great bones and a vanity
he subsidized while the babies grew through that disorder into us
and as we toured the house accepting slowly even this we can’t afford
I’d love to steal the plants but how to get them home
the towering ficus and an actual tree I can’t name and others
they lived at least on a larger scale, they reached for things, these half-wits

We cannot back down

We now confront a second Trump presidency.

There’s not a moment to lose. We must harness our fears, our grief, and yes, our anger, to resist the dangerous policies Donald Trump will unleash on our country. We rededicate ourselves to our role as journalists and writers of principle and conscience.

Today, we also steel ourselves for the fight ahead. It will demand a fearless spirit, an informed mind, wise analysis, and humane resistance. We face the enactment of Project 2025, a far-right supreme court, political authoritarianism, increasing inequality and record homelessness, a looming climate crisis, and conflicts abroad. The Nation will expose and propose, nurture investigative reporting, and stand together as a community to keep hope and possibility alive. The Nation’s work will continue—as it has in good and not-so-good times—to develop alternative ideas and visions, to deepen our mission of truth-telling and deep reporting, and to further solidarity in a nation divided.

Armed with a remarkable 160 years of bold, independent journalism, our mandate today remains the same as when abolitionists first founded The Nation—to uphold the principles of democracy and freedom, serve as a beacon through the darkest days of resistance, and to envision and struggle for a brighter future.

The day is dark, the forces arrayed are tenacious, but as the late Nation editorial board member Toni Morrison wrote “No! This is precisely the time when artists go to work. There is no time for despair, no place for self-pity, no need for silence, no room for fear. We speak, we write, we do language. That is how civilizations heal.”

I urge you to stand with The Nation and donate today.

Onwards,

Katrina vanden Heuvel
Editorial Director and Publisher, The Nation

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