Books & the Arts / November 27, 2024

Rain and Mountains

Pages from a novelist’s notebook.

Rain and Mountains

Pages from a novelist’s notebook.

Orhan Pamuk

After spending his adolescent years imagining he would become a painter, Orhan Pamuk had a change of heart. “At 22, I killed the painter inside of me,” he recounts, “and began writing novels.” Since then he has gone on to write many novels, including The White Castle, My Name Is Red, Snow, and Nights of Plague, and win the Nobel Prize in Literature. Yet his love of visual art, and in particular landscapes, remained, and in 2008 he “walked into a stationery shop, bought two big bags of pencils, paints, and brushes, and began joyfully and timidly filling little sketchbooks with drawings and colors. The painter inside of me hadn’t died after all.” The following are from these sketchbooks, excerpted from Memories of Distant Mountains: Illustrated Notebooks 2009–2022.

Excerpted with permission from Alfred A. Knopf. ©2024 Orhan Pamuk.

Support independent journalism that exposes oligarchs and profiteers


Donald Trump’s cruel and chaotic second term is just getting started. In his first month back in office, Trump and his lackey Elon Musk (or is it the other way around?) have proven that nothing is safe from sacrifice at the altar of unchecked power and riches.

Only robust independent journalism can cut through the noise and offer clear-eyed reporting and analysis based on principle and conscience. That’s what The Nation has done for 160 years and that’s what we’re doing now.

Our independent journalism doesn’t allow injustice to go unnoticed or unchallenged—nor will we abandon hope for a better world. Our writers, editors, and fact-checkers are working relentlessly to keep you informed and empowered when so much of the media fails to do so out of credulity, fear, or fealty.

The Nation has seen unprecedented times before. We draw strength and guidance from our history of principled progressive journalism in times of crisis, and we are committed to continuing this legacy today.

We’re aiming to raise $25,000 during our Spring Fundraising Campaign to ensure that we have the resources to expose the oligarchs and profiteers attempting to loot our republic. Stand for bold independent journalism and donate to support The Nation today.

Onward,

Katrina vanden Heuvel

Editorial Director and Publisher, The Nation

Orhan Pamuk

Orhan Pamuk is the author, most recently, of Istanbul and Snow. He was
awarded the 2005 Prix Medicis and won the International IMPAC Award in
2003 for My Name Is Red.

More from The Nation

Nusrat Fateh Ali Khan’s Voice From the Past

Nusrat Fateh Ali Khan’s Voice From the Past Nusrat Fateh Ali Khan’s Voice From the Past

The Pakistani qawwali icon sang words written centuries ago and died decades ago. He’s got a new album out.

Feature / Hasan Ali

A woman passes by posters that read “Enough Vultures—Argentine united in a national cause” in Buenos Aires, 2014.

How the US Courts Rewrote the Rules of International Trade How the US Courts Rewrote the Rules of International Trade

Shaina Potts’s Judicial Territory examines how the American legal system created an economic environment that subordinated the entire world to domestic business interests.

Books & the Arts / Brett Christophers

Nation Poetry

Death in Captivity, a Surrender Death in Captivity, a Surrender

Poems / Mai Der Vang

The Oscars Are Upon Us

The Oscars Are Upon Us The Oscars Are Upon Us

Who will win big at the biggest night in movies?

Books & the Arts / The Nation

Chris Hayes Wants Your Attention

Chris Hayes Wants Your Attention Chris Hayes Wants Your Attention

The Nation spoke with the journalist about one of the the biggest problems in contemporary life—attention and its commodification—and his new book The Siren's Call.

Books & the Arts / David Klion

Tilda Swinton poses after attending a press conference for the Honorary Golden Bear award at the 75th Berlinale on February 14, 2025.

The Berlin International Film Festival in a Time of Crisis The Berlin International Film Festival in a Time of Crisis

During the Berlinale’s 75th anniversary, it felt like the world was coming apart—but at least we had the “borderless realm” of film.

Linda Mannheim